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Hinshaw Music, Inc.
PO Box 470
Chapel Hill, NC 27514
USA
Phone: (919) 933-1691
Fax: (919) 967-3399
Orders:
1-800-568-7805
Copyright © 1998, 2004
Hinshaw Music, Inc.
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Dear Customers,
If you have questions regarding the availability of any of our products,
please feel free to contact us and inquire at
1-800-568-7805
or
customerservice@hinshawmusic.com
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Hinshaw Music Mailing Lists
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Upcoming Hinshaw Workshops
Perspectives Choral Workshop
La Fonda Hotel
Santa Fe, NM
June 26-29, 2012
Clinicians:
Peter Hunt, Doreen Rao, Jo-Michael Scheibe, Ola Gjeilo,
David Childs & Betsy Cook Weber
Celebration Choral Workshop
***NEW LOCATION***
Durham Convention Center
Marriott Hotel
(attached to convention center)
August 3-4, 2012
Clinicians:
John Rutter, Allen Pote, William Carroll
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Presenting:
The First Packet of
selections from our 2012 season
Join our Choral
Review Service (CRS)
and begin receiving our new 2012
publications
and AGAIN this year, as a CRS member, we are
offering the 25% discount on almost everything in our entire
catalogue.
(click here
to see CRS page for subscription
details) |
| Hinshaw
Music Sacred, February
2012 | |
| HMC2287 |
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Swing Low, Sweet
Chariot (Wondemagnegnhu,SATB(div.),
opt tenor duet, a
cappella) |
2.00 |
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This is an amazing arrangement of the traditional African-American
spiritual.
Unique to the setting is the almost "New Orleans" twist to the style
(bending
of pitch andstylized rhythm). It is an advanced work requiring vocal
stamina
and rhythmic accuracy. |
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| HMC2288 |
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Et
Resurrexit (Puccini/ed. Banner, SSA, piano
& opt.
strings) |
2.00 |
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| Written by the great great grandfather of the famous opera composer,
this
final movement of the Messa a 3 alternates counterpoint with
homophonic
texture, and demonstratesstriking harmonic changes to illustrate the
text.
Try it with your high school or adultwomen's chorus. Lots of
energy! |
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| HMC2290 |
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A
Covenant Prayer (Forrest, SATB, a cappella or opt.
string orch.) |
1.90 |
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| The
text for this prayer was written by the founder of the Methodist
movement, JohnWesley. Dan Forrest has provided three possible
settings—mixed
chorus with divisi a cappella, mixed chorus with divisi and string
orchestra,
or mixed voices with keyboard accompaniment. This is a marvelous piece for
a time of commitment during worship or for concert
use. |
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| HMC2291 |
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Give Me That Old
Time Religion (Garrett, SATB, sop.solo, a
cappella) |
1.70 |
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| Marques
Garrett is a welcome new addition to the Hinshaw
catalogue.
This arrangement of a well-known gospel tune gets a fresh setting
for
soprano solo and mixed chorus acappella. Great in either a worship
or
concert setting. |
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| HMC2293 |
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Jesus Christ, The Apple Tree
(Daley, SATB, sop.solo, a
cappella) |
1.70 |
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| Canadian
composer Eleanor Daley is widely known in America
and
represented by a number of publishing houses. As is always the
case,
her works are well-crafted, elegant, and true to the text. This is
no
exception. There are numerous settings of this text
available—distinctive
to this arrangement is the variety of textures, the colorful harmonic 3
language,
and simple counterpoint. Try it for your Lessons and
Carols. |
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| HMC2294 |
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Joys Seven (J.
Ludwig, SATB, soprano solo, a
cappella) |
1.70 |
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| James
Ludwig is a welcome new addition to the Hinshaw
catalogue
as is this new setting in the Andre Thomas Choral Series. A
traditional
English carol, JOYS SEVEN is arranged here with a lilting
multi-meter.
The piece calls for mixed chorus divisi a cappella with numerous
solo
opportunities. Great for concert or worship! |
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| HMC2301 |
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It Is Not
Death To Die (Buda, SATB,
piano) |
1.90 |
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| Brian
Buda is a welcome new addition to the Hinshaw catalogue.
This memorial workfor mixed voices and piano is a setting that will stir
emotions.
It's excellent as a funeral anthem but also might find a powerful place in
concert. |
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| HMC2307 |
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Gloria A
Dios (Green/Crescenz,SATB, piano, conga, shaker, flute
&bass) |
2.20 |
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| The compositional duo of James Green and Valerie Showers Crescenz
has been highly successful in creating new choral works. This GLORIA is set
to a Spanish text and given an idiomatic stylistic flavor that will be
extremely attractive to students and audience alike. The addition of hand-held
percussion instruments really provides energy. |
| HMC2312 |
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Good Christian
Friends, Rejoice (Harmon, SATB, flute, Bb clarinet,
horn in F, bassoon) |
1.90 |
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| A church musician himself, Neil Harmon writes exceedingly well for the
church
choir. As is the case here, many of his seasonal works are accompanied by
a
chamber ensemble(here for flute, clarinet, horn, bassoon, and
harp). Try
a
group of his arrangements for your Lessons and Carols
service. |
| HMC2317 |
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Sicut Cervus
(Buller, SATB, a
cappella) |
1.70 |
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| This new piece was winner of the 2010 Vanguard Premieres
Choral
Composition Contest. A setting of Psalm 42, the rich harmonic
language
and skilled voice leading produce a lovely effect that complements the
meaning
of the text. |
| HMC2324 |
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Entreat Me Not To Leave You (Forrest, SATB(div.), a
cappella) |
2.00 |
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| This text, adapted here from the book of Ruth, is well known to most of
us
because of itsuse in many marriage ceremonies. Dan Forrest now sets
the
text for divisi mixed voices a cappella. |
|
| Hinshaw
Music Secular, February
2012 | |
| HMC2306 |
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Give Me Your Stars To Hold (R.
Waters, SATB,
piano) |
1.90 |
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| The texts of Sara Teasdale have proved to be quite effective in choral
settings.
Here, Richard Waters, Director of Choral Activities at Eastern
Kentucky
University, sets this colorful text for mixed chorus and piano. Try
it on
your
next concert or even for graduation. |
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| HMC2314 |
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Somagwaza (T. Biddlecombe,
TTBB(div.),
percussion) |
1.90 |
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| Conductors
of male choirs are always looking for advanced works
outside
the genres of barbershop, folksong, glees, and spirituals. This new
work
derived from an African initiation rite is filled with an energy and
rhythm
that
will be thrilling to your male singers and audience alike. |
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| HMC2321 |
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The Music Of Living
(Forrest, SATB (div.),
piano) |
1.90 |
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| Looking for a powerful choral piece with a dynamic piano
accompaniment?
This is it—another exuberant work by Dan Forrest. This
inspirational
anonymous text is strong in itself—but combined with the music of
Dan
Forrest it is rapturous. |
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| HMC2322 |
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The Nightingale (Forrest,
SATB, piano, 4 hands, & solo
violin) |
2.20 |
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| Folk Songs of America is a new choral cycle by Dan Forrest and this is
the
first installmentin the ongoing series that is to follow. The
characterization
and dialogue between the male and female singers provide a sweet
dramatic
element—all wrapped in the lovely lyrical writing of Dan Forrest.
Consider
programming it with a group of early American pieces. |
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| HMC2323 |
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The Girl I Left Behind Me
(Forrest, SATB, piano, 4 hands & solo violin) |
2.00 |
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| A second title in the Folk Songs of America choral cycle, this "jaunty"
arrangement for mixed chorus with piano four hands and solo violin will be a hit
on
your spring concert. Consider programming it with a group of early
American
pieces. |
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| HPC7101 |
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Here Take This Lovely Flower
(Ticheli, SATB, a
cappella) |
1.70 |
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| This simple piece is taken from a large body of traditional Shaker
lullabies.
Most tunes were sung in unison and were unaccompanied like the
first
statement from this arrangement.Try it on a spring concert coupled
with
early English madrigals and/or contemporary American
song. |
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