Hinshaw Music, Inc.

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Hinshaw Music, Inc.
PO Box 470
Chapel Hill, NC 27514
USA
Phone: (919) 933-1691
Fax: (919) 967-3399
Orders:
1-800-568-7805

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If you have questions regarding the availability of any of our products, please feel free to contact us and inquire at

1-800-568-7805
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Presenting:

The Last Packet of selections from our 2011 season

Join our Choral Review Service (CRS)
and receive this last packet of our 2011 publications and our first packet from our 2012 production. AGAIN this year, as a CRS member, we are offering the 25% discount on almost everything in our entire catalogue.
(click here to see CRS page for subscription details)

Hinshaw Music Sacred, April 2011

HMC2247	We Come, O Christ, To You (Shackley, SATB, organ)	1.80
	Scored for mixed chorus with organ, this festive anthem could be used generally or ona number of occasions - Music Ministry Sunday, Baptism of Christ, Festival of Christ the King, World Communion Sunday, or any festival.

HMC2249	At Jesus' Knee (Hildebrandt, 2 pt., treble, piano)	1.55
	This folk-like setting of an original sacred song for two part treble voices with piano would be exceptional in a contemporary praise and worship setting. Try it for confirmation or baptism.

HMC2250	Somebody Oughta Be Praisin' Him (Berg, SATB, solo, a cappella)	2.40
	If you're looking for a concert closer this is it. For mixed divisi voiced a capella, this original spiritual/gospel song calls for an advanced chorus with a capable soloist. Try it to close your next concert—great for high school or college/university.

HMC2252	Give Thanks To The Lord, For He Is Good (Lantz, SATB, piano and opt. flute or other C instr.)	1.80
	This energetic Thanksgiving anthem is scored for mixed chorus with keyboard and optional C instrument. Try it for Christ the King, Thanksgiving Sunday, or general use.

HMC2253	Amen (Forrest, TTBB/TTBB, a appella)	1.80
	This postlude to the Words From Paradise set (Holy, Hallelujah, Selah, Hosanna) is now available for double male chorus. Great for a male chorus festival.

HMC2254	Inside Your Kingdom (Bushong, 2 pt., mixed, piano)	1.55
	Many small choirs extensively use two part mixed voicings. Here, new Hinshaw composer Tim Bushong sets his own text for two part mixed choir with piano. Try it on All Saints or for general use.

HMC2256	Behold, I Bring You Glad Tidings (arr. Giardiniere, SATB, solos, organ, opt. treble recorder, string quartet)	1.90
	Orlando Gibbons was a master of the verse anthem during the English Renaissance.Here,David Giardiniere gives us a practical edition of the outstanding work. Try it during Advent or for Christmas.

HMC2257	Rise Up, Spepherd, And Follow (arr. Garris, SATB, sop.& alto solos, piano)	1.80
	This spiritual for Epiphany or Christmas is new to the Andre Thomas Choral Series. The composer, Nathan Garris, cleverly sets the work for mixed voices with soprano and tenor solos and piano. Great for your holiday concert.

HMC2259	Adam Lay Yboundon (Bell, SSATB, a cappella, & side drum)	1.55
	Thomas Bell has arranged this 15th century English carol for unaccompanied mixedchorus with percussion. The mixed meter complements the normal inflection of the text and provides an incredible energy that will have your audience on their feet.

HMC2270	With Heart And Hands (Rutter, SATB, organ & opt. cong.)	1.80
	Commissioned by the Texas Choral Director's Association, this new Thanksgiving work by John Rutter concludes with a rousing verse of NOW THANK WE ALL OUR GOD for choir and congregation. The piece is scored for mixed voices with organ.

HMC2275	This Is The House Of God (Rutter, SATB, unaccompanied)	1.55
	This new anthem by composer John Rutter is the perfect piece for a church building dedication or rededication. Could also be used for Pentecost, Music Ministry Sunday, or a festive celebration.

HMC2276	A Christmas Lullaby (Forrest, SATB (div.), a cappella	1.80
	If you have a large advanced mixed divisi chorus this is a must for your next holiday concert! The marriage of text to harmonic language is amazing. Another winner by composer Dan Forrest.

HMC2277	A Dedication And An Amen (Rutter, SATB, a cappella)	1.55
	Looking for a graduation anthem that is inspirational but not particularly religious in nature, this is it. John Rutter sets an original text in his beautiful melodic style.

HMC2279	Ave Maria(Angelus Domini) (Biebl, SSA/SSAA, or solo trio (SSA)/SSAA, a cappella)	1.55
	Most of you have known the settings for mixed chorus and male chorus of this masterpiece. Now, available for the first time is this new setting for treble chorus. Take special note of the information found on the cover page.

HMC2282	Infant Holy, Infant Lowly (arr. Lau, SAB, keyboard)	1.55
	Of course, there are numerous settings of this lovely Polish carol. Here, Robert Lau sets the tune for SAB voices with organ in his masterful style.

HMB262	Lux Aeterna (Scott, TTBB, tenor & baritone solos, piano or opt. flute, strings, harp &organ)	11.95
	Lee Scott is a familiar name amongst church musicians—his works found in a number of catalogues. Here, Scott sets the well known Latin text for male chorus with tenor and baritone solos, and optional flute, cello, timpani, and piano. Looking for an extended work for your male chorus? This is it!

HMC467	Open Thou Mine Eyes (Rutter, SATB, a cappella)	1.55
	Originally written in 1980 at the invitation of the Texas Choral Directors Association,this wonderful setting by John Rutter of the Lancelot Andrewes text has been updated with helpful preface notes, and a keyboard reduction.

Hinshaw Music Secular, April 2011

HMC2263	A Dream Of The Mist (Crescenz, Unison, opt. harmony & pinao)	1.30
	Valerie Showers Crescenz is not a new name to the Hinshaw catalogue. This secularwork is set to a lovely text by poet Lauren Gallagher and is scored for unison treble choruswith optional harmony and piano. Try it on your winter school concert.

HMC2264	How Do I Love Thee (Schwoebel, SSAA, pinao)	1.55
	Many of you have known the sacred music of David Schwoebel for quite some time. This is his first published secular work. On a text of Elizabeth Barrett Browning, the piece is scored for SSAA treble voices with piano.

HMC2274	Have You Seen The Beauty This Day (Robinson, SAB, pinao)	1.80
	For soprano, alto, and baritone voices with piano, this is a great secular piece for developingindependent voices, listening across the choral fabric, and teaching phrase shape. Try it with your middle school choir.