Side Bar
Hinshaw Music, Inc.
PO Box 470
Chapel Hill, NC 27514
USA
Phone: (919) 933-1691
Fax: (919) 967-3399
Orders:
1-800-568-7805
Copyright © 1998, 2004
Hinshaw Music, Inc.
|
|
Presenting:
The First Packet of
selections from our 2010 season
Join our Choral
Review Service (CRS)
and begin receiving our new 2010
publications
and AGAIN this year, as a CRS member, we are offering
the 25% discount on almost everything in our entire
catalogue.
(click
here to see CRS page for subscription
details) |
|
Hinshaw Music Sacred, March
2010
|
HMC2224 In Paradisum ( D. Forrest, SATB div.,
wind symphony or
small
1.90
instrumental
ensemble)
This
eleven minute work takes its text from Luke, Revelation, John, and Psalm
116.
Scored for piano or orchestra with divisi mixed chorus, the piece would
be
effective
in
both concert or worhsip settings. Best for large advanced chours.
HMC2225 God Rest Ye
Merry Gentlemen
(K. Turner,TTBB, ten.
& bar. solo,
1.80
a
cappella)
New
to the Hinshaw catalogue, composer Kelly Turner has taken
the
familiar tune and set it for unaccompanied male chorus in a
clever
rhythmic style. Try it with your male singers on next year's holiday
concert.
HMC2230 Clap
Your Hands (S. Hopkins, SSATB,
piano)
1.90
Psalm 47 has been set by many composers. Here, Stephen
Hopkins gives
us
a
work for divisi mixed chorus with piano. The mixed meter provides
a
constant energy and complementary rhythmic texture that truly
illuminates
the
text. Use it in context, concert, or worship settings.
HMC2233 All
This Night ( J. Turner,
SATB ,
piano)1.80
A 2008 John Ness Beck Foundation winner, the piece is set to a
William
Austin text and is scored for mixed chorus with piano. Excellent for
both
holiday concert or worship settings.
HMC2238 Let Us Fill The
World With Singing (M. Hayes, SATB , keyboard
and
1.80
opt. brass
quintet)
Mark
Hayes has produced a real winner with this new piece. It's great
for
Music Ministry Sunday, Trinity Sunday, Pentecost, or even general
use.
This energetic anthem is scored for mized voices with either keyboard
or
brass
quintet.
HMB260 Messa A 3 (Puccini/ed. Banner, Treble voices SSA,
keyboard)
10.95
It's
hard to find classical extended works for treble voices and
orchestra.
Written by the great great grandfather of the opera composer, editor
Martin
Banner says that "these Puccini works alternate between
counterpoint
with
homophonic
texture, and demonstrate striking harmonic changes to
illustrate
the text."
|
Hinshaw Music Secular, March
2010
| HMC2221 Skylark
(J. Rutter,SATB,
mezzo-sop.
solo, flute, piano &
bass)
1.80
John Rutter has taken this marvelous tune by
Hoagy Carmichael
and
Johnny
Mercer and turned it into a great work for community choruses
or
any
chorus looking for
a beautiful melodic piece of popular music. Sound
for
this
title abailable on Feel The Spirit CD
(HS272CD)
HMC2222 Jinny, Git Around
( N Garris,
SATB, piano 4-hands and
violin)1.80
Though originally set for a middle school honors choir, this
clever
arrangement
for mixed chorus
with two pianos and violin would be a
hit
for high schoolers, college/university, or community choruses alike. Try
it
for
a concert closer. It will "bring the house down."
HMC2235 The Telephone
( M. Larkin, SATB,
piano)
1.55
Most choral musicians know the settiing of this Robert Frost text
by
American
composer Randall Thompson. Here, Michael Larkin sets
the
same text for mixed voices with piano (unlike the Thompson setting
for
treble voices). This is an excellent work for high school choirs.
Try it
for
a
spring concert.
HMC2239 We May Never Pass This Way Again
(S. Callaway,
SATB,
piano,1.80
opt.
cello)
Looking for a great graduation anthem? This is
it. Scored for mixed
chorus
with
piano and optional cello, the beautiful melody and interplay of
vocal
textures
will keep your singers engaged in a great message.
HMC2242 Una Forma Mas
(A. Raga, SATB, a
cappella)
2.35
This
is a new work in the Songs of the World Series
and is
a welcome
addition
to the Hinshaw catalogue by the Cuban composer Rene
Banos
and Venezuelan arranger Ana Maria Raga. With the great
interest
in
multicultural
choral music these days this would be a great addition to
a
fall or spring
concert.
HPC7100 Constellation
(F. Ticheli, SATB, div., a
cappella)
2.35
The
brief
three movements of this work are set to poems of Sara
Teasdale.
The movements can be performed separately or together. Set
for
unaccompanied
mixed chorus, the composer says that the cycle
"utilizes
the image of stars as a powerful symbol of eternal beauty and peace."
Try
the work with your advanced ensemble.
|
|
